Tuesday, September 21, 2010

What Does Scabes On Stomactach Mean

THE POLYTECHNIC (Polytechnique)

Sheet
Original Title Polytechnique
Director Denis Villeneuve
Actors Maxim Gaudette, Sébastien Huberdeau, Karine Vanasse, Evelyne Brochu, Pierre -Yves Cardinal, Jonathan Dubsky, Marina Eva, Nathalie Girard, Pierre-Xavier Martel, Johanne-Marie Tremblay
Country Canada
Genre Drama, Historical
Year 2009

This film tells the massacre of fourteen women on December 6, 1989 at the Ecole Polytecnique Montreal.
The murderer, a student center, enters a classroom shooting at the ceiling and ordered that women be made to the left and right men. Men should go out leaving the women with him. These obey without saying anything (except one of them makes a hint of approaching the murderer to see if you can do) and go. To be alone with them tells them they are there because they are feminists and he hates feminists. One tries to protest but as soon as he opens his mouth he shot at close range and breaks down, does the same with the rest. Then leave the room and leaves. The murderer begins to walk around the school with his gun and still shooting exposed women who cross his path. Finally commits suicide.

is premeditated murder. As he tells himself, several years earlier had tried to enter the military service to gain access to a gun but did not succeed, so he continued to live with the sole purpose of getting a weapon and ultimately ending the lives of several women . Before the event write a letter explaining his hatred for women and another to his mother saying he loves. I wonder if we need to dump our anger at faceless women order to have the fantasy of wanting to see the only woman in all, our mother.

film is raw, hard and cold, both in terms of content and form. Is shot in black and white, and she just no room for any kind sound, musical or cozy, only silence filled with tension, dry shots, anguished vocals and choppy breaths. It is a brutal film.

Not having ever experienced a dramatic situation, which is personally connect with all cases of overt or subtle aggression that I have suffered by men throughout my life. It feels visceral, primitive. After the movie walk down the street and I feel hatred for the people I meet. At that time are all those people that before the attack on a woman close their eyes or look away in all the ways you do this, downplaying, hiding, doing nothing even when they sense the gravity of the situation. I have a feeling of unreality, and at the same time I think it's more real than reality my eyes. While I hate what causes the condemnation of the aggression, I identify with the murderer by the mere fact of feeling it as intensely as if it is a hatred associated with the "other" sex.

And in the movie when the men leave the classroom and leave women with the murderer will not really know what to do because when the camera came with one of them is that life at school as usual, public areas like the living room or dining room are filled with people smoking and talking animatedly and not see anyone running or sounding the alarm. This guy runs himself, down to the first floor where a security guard and tells him to call the police, he initially believed that this is a joke.

And I wonder how people who have left the classroom does not have shouted warning of what is happening, either we all rush out of the building to a possible attack of the aggressor or to do something in defense of women who have stayed with him. I find it really brutal feeling that something very serious is happening in a classroom building and the rest of the world continues as if nothing had happened. I feel helpless.

The film is told from three perspectives: that of the murderer, the one of the men who was in the classroom and the only survivor of the same. Three lives are affected forever by this event.

begins with the murderer. They are the moments before the murder in the apartment he shares with other students. Write a letter to feminists that goes against their hatred. I hate it considers causes of discrimination experienced by men today, justified by the social disadvantage that are perceived to suffer them. Then write a farewell letter to his mother leaving the house for this and finally addresses the polytechnic where the tragedy happen.

I do not know what to say about this young man. A loner, who by appearance could pass for a normal person (well if it exists, but at least half a neurotic, not a murderer). You see your relationship with your roommate where you get a list of little contact, some rather cold warmth hello and goodbye. And I wonder what the roommate will think when he finds out? I think I would ask how is that I never thought that something like this could happen.

And I can question my blindness to the behavior likely to lead to a situation of serious aggression. I sing in my work, a secondary education college, when I see aggressive behavior by describing to students denounced what they did, the consequences it has had and saying what I think about what happened (I'm usually very honest and hard on this.) However, I treat them with kindness because some want to believe that their behavior is due to a bad deal that they are suffering or have suffered at the hands of adults and treating them with utmost respect and trying to understand them can change. Watching the film I get to wonder if this way I have to relate to aggression is not wrong and if somehow I'm not contributing.

In my ethics class we talked a lot about love, aggression, human values, exploitation, individual and social responsibility ... and it is precisely these students the most is "wet" reviewing and contributing to their personal experience . Therefore, are the ones who get better grades in it besides being who more attention receive from me.

In the evaluation sessions, that is, when we gather to put the notes, almost all are critical to them and their rebellious behavior and "quasi-criminal" (drug use, bad answers, lack of motivation, ...) . So, what exactly is the subject of ethics which get top marks, and also they, the whole class, those who excel in this subject is at least contradictory. However, I appreciate what they do in my class and I can not fail to assess participatory and sincere attitude in them. However, if rationally seem right to me sometimes when I listen to the experiences some other teachers I can not help thinking if I could be wrong.

thing that calms me in this regard is that I have encountered several situations of bullying taking place at recess with younger children. Who did the bullying? If one of these guys, but along with several that are "good students" and those who do not say anything. What is a good student? Getting good grades and do not respond to the teacher. These same professors who are scandalized work answers that question, do not seem moved by the attacks that happen in the yard, or only if someone puts forward crudely. In fact, not even bother to look, they're too busy trying to catch who smokes and who does not.

not stand the situations in which a group of people with more strength exercises violence against a smaller number and / or weak, it activates something in me that puts me in defense of the attack even if this means going against myself. At school I feel that these students are Bullin in some way by some teachers and that puts me in a position to defend, and maybe be here my blindness, my obsession for her protection may not be seeing the rest of the students in the class, or you may not see the violent behavior they have in all dimension.

follows the vision of one man who left the classroom in which women are kidnapped. When the murderer tells them to divide a moment of confusion he uses to approach the murderer, it seems that to see if you can take the weapon or reduce in any way. But the murderer realizes and chides him to leave.

After leaving in a hurry to go downstairs where there is a security guard and tells him to call the police because a man with a gun is held to a group of women in a classroom. Get back. Along the way, is two women on the ground, one is still alive, So going for medicine to try something. When she returns she is dead. Realizing that the murderer has left the first room, go there to see what has happened. By entering, all women are lying on the ground motionless, including her two friends. When you exit there, runs the building. Now the atmosphere is different, everyone is running from side to side on the alert. At one point, he sees the murderer in a hallway and is sheltered by entering the first door is at hand, and enters a room with music at full blast and smoking and drinking students who are oblivious to everything that is happening outside. This scene I find tremendous it reminds me of a personal fear, be I calmly enjoying something happens something serious or even catastrophic as the movie and I was not aware of anything. It is a self enjoying the misfortune of others to external group.

man back. The next thing you see is going to visit his mother and committed suicide after the visit. Later we see how he finds that one of the friends who had given up for dead only wounded and carried on a stretcher while he apologizes. She tells him that he is not guilty. And certainly he is not guilty and does everything he can to help but he does feel that it is, and I, and even host of the movie, sorry, I guess that's the cultural role of protection that we attribute to men, that there is some guilt in him as a man who was there and did not protect women. Finally, it seems that due to the fault or perhaps other reasons, can not integrate what happened and rather die than to live with it. Therefore, we can say that the murderer, and protective responsibility society places on men, killing one man.

Finally a survivor tells us what he lived and how they live with it since. This young woman is studying to be an aeronautical engineer. The day of the event just had an interview Working for an intern position in a company aircraft. In the interview notes once again the issue of gender, the interviewer questioned his candidacy for the position by being a woman and be more likely than men to leave the job or disregard it to a family, ie children. Know what she responds to this observation, we know that finally get the scholarship.

Upon leaving the interview is your best friend and roommate who studied with her. Come into class with your partner and above all when it happens.

When the murderer left the classroom, she opens her eyes and see around. Her friend and another of women breathe. She is badly injured but can be moved, the other not. Limping out of the classroom for help, to reach the next door is the murderer and think he has seen. Back as fast as you can into the classroom and lies down to rest. The next thing I hear is someone walks into the classroom. It is thought the murderer but no, his friend who is seeing them think they are all lying dead leaves. Finally the other die.

Several years after the event is seen living with a partner and working in an aerospace company. That is when he learns she is pregnant. This news was stirred for so that feels the need to write a letter to the parents of the murderer of the polytechnic even when he knows that it is not sent. In terror she tells them that like to have this child, tells how everyone was saying after what happened and how strong he was said to be tired of being strong, he is thorough. Decides to have her baby and says that if you teach children to respect and appreciate life and girl if she can be whatever you want. Again, the gender difference.

Does it make sense that this woman who has suffered in their own flesh the terrible consequence of gender differentiation, ie to see before the sex of the person your quality as a person continues to have expectations based on gender differentiation? I dare say, at least without further thought about it, that the distinction itself is the cause of prejudice and hatred that comes from them, but the attitude of exclusion with which we approach this differentiation helps this hatred and in consequence, such acts of murder, to be permanently excluded.

ttal Lizarraga

Tuesday, September 14, 2010

Female Wrestling Outfits



technical and artistic
Director: Pan Nalin.
Countries: France, India, Italy and Germany.
Year: 2001.
Length: 145 min.
Cast: Shawn Ku (Tashi), Christy Chung (Pema), Neelesh Bavor (Sujata) Jamayang Jinpa (Sonam).
Written by: Pan Nalin and Tim Baker.
Music: Cyril Morin.
Photo: Rali Ralchev.

Synopsis The film chronicles the transformation of Tashi, a Buddhist monk in Ladakh, Himalaya, after his return to the convent where he grew up and are being trained as a monk, after a long period of retreat in the Sacred Cave, which has been retired meditating for more than three years.

Transformation and Development Process
The film shows in detail how it is and there is the process of transformation, of change, reintegration and rehabilitation, at all levels, to its new status after return retirement and after his trip search later.

in therapy and meditation will energize the issues that shape our individual, organizational level and more subtle level, personality and even character. And this dynamic is what enables us to change, grow and advance.

These issues are the object of our work, what we see, what we serve, and to this end, developed the attention, and consciousness from consciousness. To realize them and assume ownership changes and needs. When, as in the case of Tashi, these issues erupt in a violent way or cathartic rush changes and need a permit to be channeled to a profound change.

Normally nobody in our surroundings we withdraw as long as in the movie, this would produce a great influence and effect on the person and not everyone is ready to withdraw from that. "You've gone too far" - tells his teacher to be reunited with him after retirement. There are ways of working in therapy and also to meditate. More cathartic, where the incision and the approach goes to the limit quickly, and accompanying the person according to their flow, without pushing. It is important to reach the limit, do not pass it, because it shows the limits of the person, ability, current and indicates the time of actual development. When they cross that boundary is more complex reintegration of the person and the assimilation of experience in all its magnitude.

Tashi If we see the return of the withdrawal is started on the transformation, which strives to be, which is manifested in his wet dreams in your search and absorption in the sensuality of life. He seized the color of a leaf, the clinking, sound and movement of hands that serve food.

The development of attention, contemplation, absorption
Being attentive to that which draws our attention, which is significant, and guide us and flow through it gives meaning to our existence. Is the significant, and has a message for each one of us, if we agree to it, giving our full attention and our full experience, watching what we observe, is something external, like a leaf, a sound, etc.., or something internal as a thought or an emotion, etc.., with total dedication.

So we developed the ability to see life with fullness, including in our experience, new aspects such as the sense of touch, taste, considering the sound, moisture or shine we're watching.

meditation and therapy have an amplifying effect of the experience. What that allows us account more easily than (we) occurs. One notes, and looks more clear, crisp. Allowing to realize and live every experience with greater breadth and completeness. So we also realize those aspects of our person, which were hidden, and now to see them, recognize them and the like, can recognize and acknowledge more fully.

The work is to give out to it with what you have connected and what you need, but you can agree or not at first, but will bring more bustle, movement and uncertainty, and Final empty. Vacuum of not knowing what comes next, what and how it is.

Tashi see in their difficulty to accept and take care of their urgent need to undertake, and decides that a journey of discovery that will satisfy and meet their wants, that somehow we are pushing to undertake the journey. And on this trip, you will also find self-unfriendly aspects, which were more or less hidden until now and to self-limiting and do suffer. These issues emerge clearly when Tashi leaves the status quo, the land and way of life and being known by him in the convent and is brought into play with their new desires, needs and concerns.

People live in a constant process and change. Change and grow in terms of openness and integration of new states in ourselves. When the process is tight and sick leave to grow.

Both
therapy as conducive to meditation first observation status and perception of our processes, thus promoting the development of conscience in pursuit of that constant flow according to our time, status and needs.

process satisfying a need
The meditative state is a state that allows us to see our ways of doing, feeling and thinking and how they create patterns between repeating itself and send in our lives. With the development of this capacity to realize these patterns can be gradually becoming more aware of them, being more aware of ourselves and take ownership of them and of ourselves and our actions.

Regarding Tashi process for the assumption of its necessity, we can see the first part of the denial of the need supported and enhanced by teachers trying to avoid. A phase of assumption of the need and demand for the same in a rebellious and proud, claiming his teacher the right to learn from his own experience. After all a learning process based on an implementation of the action. With the next surge of similar needs to their satisfaction and withdrawal nuevamnete the convent.

Each can observe and develop the ability to observe the cycle of meeting the need that as more mature and healthy we will be more fluid and satisfying. And depending on how we will or other nuances.

The film with its slow pace and with few words favors this meditative state that I encourage. With care, every image, detail, sound.

Ainara Campos

















Tuesday, September 7, 2010

Free Galleon Ship Blueprints

SAMSARA LOST IN TRANSLATION

Sheet
Address Sofia Coppola
Production Sofia Coppola, Ross Katz, Francis Ford Coppola
Screenplay Sofia Coppola
Music Kevin Shields
Lance Acord Photography
Mount Towako Kuwajima, Tomomi Nishio
cast Bill Murray, Scarlett Johansson, Anna Faris, Giovanni Ribisi

The title plays on several meanings. "Lost in transportation," he highlights the sake of argument, two travelers Americans who do not know each other, match in Tokyo temporarily. One is actor advertising and has traveled to film a clip from a Japanese whiskey. The other with her husband, a photographer for bands and actors who are on a tour. Both are being found in the hotel you are staying.

The other meaning, "Lost in Translation" has several levels. On the one hand it refers to the situation of two Westerners in Japan, immersed in a world culturally and linguistically unfamiliar with difficulty establishing personal relationships with residents. The director of the film itself has said that this situation has personally experienced, led him to explore the needs of a human being in such circumstances.
In general, travelers to work and Tourism accommodated, although English can move with relative ease by any country in the world, the field of communication tends to be limited to environments for travelers and hotels, some tourist attractions, some restaurants, taxis, etc, and not given to engage everyday with people who you are. The director takes this fact with another related phenomenon, namely that it is creating an affinity and complicity between guests of the hotel or between people who agree common places for passengers, of course, leaving the tour group context in which relations are closer.

For a solo traveler in such circumstances, the cultural gap and the inability to communicate in daily life, even for basic needs, makes the confusion grows. Although on a practical level is achieved with basic adjustment on the environment, there may be experiences of disorientation to a more internal level, related to the customs, lifestyle, social values, etc.. On the other hand, the confinement will emerge by feelings of loneliness that have a cumulative effect over time. While a lonely days may be appealing to almost anyone, discovering unusual places, proving in novel situations, etc. novelty game ends soon, tourist interest is high and the traveler begins to need personal relationship. Many people have sought ability palliative company, to "go in search" of a relationship even
surface. And in any case there is always the appeal of the company available in a commercial sense of the relationship. But in the case of our players that are unhappy.

So, as part of this process that explores the film, the characters begin to establish a distant relationship, based on the coincidence in public areas (the lobby, elevator, cafe or nightclub, etc.) . Little by little creating a "sense of belonging", a certain "sameness" shared "neighborhood travel, affinity and complicity for observation allows us to recognize in the other the same difficulties as you pass. Thus this approach and encourages the encounter. However, the "contact" in these circumstances is subject to constraints of the status of the traveler, mutual anonymity, timeliness, discretion and respect, etc.. Any approach beyond the "right thing" might break the thin thread of human contact.

The film shows a process of rapprochement, a process of personal contact. Simultaneously, the dislocation in which they live, that distance of the known world, that feeling in solitude against the unknown and alien world, leads them to consider from this new perspective that everything is based on his life, his supporters, their meanings, their values. And in a way make contact with a loneliness greater, with a certain absurdity of life, with a lack of meaning in their lives, say the universal and existential meaninglessness. Found within himself the self-deception, dependency, and enter into crisis delusion and attachment to various elements of "ordinary life."

This unveiling of existence, the protagonists are engaging in a dialogue process help them little by little, day by day to unravel the protections that are implicit lifestyles assumed to be necessary and appropriate. And this occurs at the same time presenting each of them will, knowing, wondering and wondering, in a dialogue of confidences about their troubles, frustrations and disappointments.

The characters are male and female, heterosexual, and the relationship that arises and moves by the need to contact, is devoid of any sexual charge, going off the topic of sex as a compensator of loneliness and anxiety about the meeting with oneself. Over time, the film flirts with that possibility, but is gradually highlighting their greatest need is on record of friendship, not lasting, just the sincere friendship of the I-Thou encounter.
In contrast, there are nods to some sexopatologías of love as they are, in general, relations reified and turned into an object, the type of prostitution, compulsive sex, sex punitive, the commercial company and all related pathologies narcissism and borderline personality disorders (low self-esteem, unstable identity and regard the other as a useful object to meet our needs and purposes.)
However, the relationship that are engaging our characters are real, human, personal. They are each identified in certain areas and this is allowing them to treat themselves with humanity and mutual respect. Dialogue with each other they sound in their own internal dialogue and helps to clear in the emerging crisis.

A second meaning of "Lost in Translation." Is that its two protagonists are on two ends of a single network of lifelines. He enters his fifties, her twenties. He is back on many things, the crisis of middle age advanced, the question of what one has done or / and is doing with her life, she is beginning, making decisions about the course of your life that will determine the course of their future, the uncertainty of being right or wrong, or miss the best options for his life, a crisis of uncertainty. He has a family that has just tune except superficial and custom, a woman dumped in the decoration of domestic life, a personal relationship almost exhausted, she is starting a consolidated relationship with an absent husband, dedicated to work and other hobbies. He does not know if it's too late to change your life and let go of everything, she does not know if it is too early to change and drop what you have to choose. He has sacrificed his vocation as an actor to work on what matters most gives money, she has sacrificed her career to accompany her husband.

Both, regardless of the displacement in a foreign culture, bringing within it the seeds of a personal crisis, with much of evolutionary crisis (of his age), manifested by disorientation, loneliness and empty. Indeed in Japan, where traditional two topics of their culture: the emptiness and hacinación, austerity and overstimulation, the not-doing and the frantic activity and business enterprise. In the land of the rising sun, our characters suffer from insomnia, and is the night that leads them to be.

Their lives need to be translated to the language of an age and a time to the other. This translation is given during the meeting between the two. Each is nourished by the vital perspective of others and mutual confrontation. One reflects on the youth and the other on maturity, one about freedom and the other on the commitment, enthusiasm and one on another on the hyper-realism, etc.

The relationship goes through the topics of age, by the adventure, parent-child dimension (without dyes Oedipus), and is coming to the friendship in its deepest sense. He finds his soul personified (intrinsic polarity female), she finds her animus personified (polarity intrinsic male). And a love story emerges. In the form of friendship, a relationship open and genuine at the time, knowing that will not last. Both have shaped their lives, the change or not, will follow after them. And the meeting did not lead them to continue living together. They know.

And yet, it's time to say goodbye. Both are slow to acknowledge the love they have found in the other and just politely say goodbye. And after the departure in the style of the best romance in the movies, he turns to look, this time to declare their mutual love, in a final kiss, and re-separated, almost certainly never to be seen anymore. In fact, a antiromántico final.

The film poses the existential situation of being lost @ y, as it says in its advertising slogan: "everyone needs to be found." Or be in and the other, which is the same.

Juan José Díaz